Reader Mail - 6/4: Pocorn is evil; Cyndere's cover art; Derrickson on gradual bedazzlement; Bob on the iTunes lecture

Filed under: The Auralia ThreadOverstreet's BooksCyndere's MidnightEmily DickinsonFlannery O'ConnorReader MailScott Derrickson
from Julie:
What do you eat at the movies?

MY RESPONSE:

I try not to eat while I'm watching. I don't like popcorn. It gets stuck in my teeth, and then I'm annoyed throughout the movie. Plus, it's noisy. I especially don't like butter flavoring on popcorn. I usually pick up a water bottle or coffee. Water's best, as moviegoing can be dehydrating. Most of the time, I have a pen in one hand and a notebook in the other, and I'm anxiously scribbling down notes in the dark.

-from Bruce:
the Cyndere's Midnight cover art survey

MY RESPONSE:

Neither was selected. The artist was still working on the cover when the survey was posted, and I know that he and others at WaterBrook found the responses to the survey interesting. So what you'll see on the cover will probably look a little different than either one of those options. But thanks for asking! Nobody's more eager to see the finished art than me, and when I have permission, I'll post it immediately.

By the way, I made my final proofreading edits on Tuesday and mailed off the manuscript. So we're almost there!

I should also mention that there's a Cyndere's Midnight reading/booksigning on the calendar: November 20 at 7 p.m. at Village Books in Bellingham, Washington. I'll also be happy to sign books when I speak at Northwestern College in Iowa on Monday, November 9.

from Scott Derrickson, a message that borrows its title from my blog header... which borrows it from an Emily Dickinson poem:

"In art and faith, the truth must dazzle gradually"

I'm not suggesting you lose the mantra, it's still good, but like all mantras it's an overstatement, and I thought I'd pass on my thoughts about the limits of this particular one.


MY RESPONSE:

Oh, yes, "Road to Damascus" moments do occur, of course.

To me, though, the Dickinson line is about how we must be "caught off guard." If a preacher shows up on my porch, knocks on my door, and starts aggressively preaching at me, I'm not likely to be open to his words. If a story unfolds in the pages of a book, or on the screen, or if a homily is offered in the context of a liturgy and worship, that's something different. I've been opened up, prepared to receive.

But I am a believer in epiphany and revelation. That was Flannery O'Connor's m.o. So, I understand, and agree with, your assertion that it's an overstatement. But when read in the context of Dickinson's poem "Tell the Truth, but tell it slant, success in circuit lies...", the line about gradual bedazzlement works for me!

Derrickson replies:
I want to shoot a short film of a Flannery O'Connor short -- maybe A GOOD MAN IS HARD TO FIND. I want to make a really horrific film from one of her stories.

I saw THE VISITOR on your recommendation, which I truly loved. And I saw a fantastic classic samurai film, sort of an anti-samurai film, on DVD called HARAKIRI. It's fantastic.

an email from poet (and Looking Closer reader) Bob:
I am in firm agreement with your proposition that a good story needs no didactic justification. Plato may have disagreed with that idea as it opens the door to the imagination and "there be dragons." To be captivated by story is a most human experience as much as it is to be moved by music. I believe that we were created in such a way that we respond to respond to the power of story. Since we are made in God's image, it poses an interesting idea about how He responds to a good tale. Wouldn't all of created history then be God's ultimate story?

This year I was able to observe [my sons] respond to The Iliad and The Odyssey as [their mother] read it aloud to them. Stories 3000 years old, yet they still had the power to captivate 21st century teenagers. Now they have been raised on books and have been read to since infancy and their television consumption has been minimal so they are coming from an atypical background. However, they do "get" what Homer was on about. Their literary (and cinemagraphic) background allowed their imaginations engage with that material and let it come alive for them. It was a great experience.

[My wife] and I have tried impart out love of good books and of story to our sons ever since we could sit them in our laps. We have tried to communicate wisdom and discernment to them regarding the fact that not all content is in our best interest and may be inappropriate based on age or the fact that it promotes lies about God's created order. Some material is just best to avoid. Yet that must not be confused with the fact that our imaginations are a gift should be nourished and a good story can be a banquet.

...

I loved your comment about how Jesus largely communicated to the masses through story and did not readily provide the meaning. I guess I still am surprised and saddened by Christians who take a predominately utilitarian approach to the arts when they assume that there must a kind of narrow purpose to the work and it all has to be "figured out."

What I do want to say is that I am so grateful for your work in the public sphere that encourages Christians to approach aesthetics thoughtfully. With our imaginations, we have been given a blessed gift from our creator that our current modern, evangelical, American subculture has largely ignored, disparaged and/or feared. I know that you have experienced much animosity from a segment of the church as a result, but by holding firm to these principles, you help form disciples that may better see God outside of Sunday service. Thank you so much for that. You honor me with your friendship.

You might like to know that after watching your lecture last night, [my son] asked to borrow my copy of Auralia's Colors saying that he really wanted to read it.


MY RESPONSE:

Wow, thanks, Bob! That lecture was part of last September's "Day of Common Learning" at Seattle Pacific University. I was inspired by the enthusiastic reaction to it, and adapted the lecture into an essay called "The Eagles are Coming!" for SPU's Response magazine.

So much of my lecture was made up of things that were said by great imaginations like L'Engle, Lewis, and Tolkien, and I was just passing that treasure along. If you're interested in more insights like those, I encourage you to read (or re-read, most likely) Madeleine L'Engle's Walking On Water, and her later work The Rock That is Higher. C.S. Lewis's collection called On Stories is excellent too.

I hope your son likes Auralia's Colors!